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The original passage, Martha had told her, had led only from an upstairs room to one downstairs. Ruth was not a woman; she was a phenomenon. "Eggs for me! You mistake, child. What marriage really meant (aside from the idea of escape), Ruth had not the least conception, no more than a child. Katy had sneered at her for a moment, their eyes locking. She had even played in an opera by Verdi once, but had to dress as a boy to do it.


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